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　　Question

　　【TPO53-passage3】
　　(Paleolithic Cave Paintings)
　　A further question to the theory of art for art's sake is posed by the high incidence of Paleolithic images that appear not to be imitative of any reality whatsoever. These are geometrical shapes or patterns consisting of dots or lines. Such marks may be found isolated or repeated over a particular surface but also scattered across more recognizable forms. A good example of this may be seen in the geologically spectacular grotto of Pêche Merle, in the Lot region of France. Here we encounter some favorite animals from the Paleolithic repertoire—a pair of stout-bellied horses. But over and around the horses' outlines are multiple dark spots, daubed in disregard for the otherwise naturalistic representation of animals. What does such patterning imitate? There is also the factor of location. The caves of Lascaux might conceivably qualify as underground galleries, but many other paintings have been found in recesses totally unsuitable for any kind of viewing—tight nooks and crannies that must have been awkward even for the artists to penetrate, let alone for anyone else wanting to see the art.
　　According to paragraph 3, which of the following is true of the paintings located in the Lascaux caves?
　　A. They are all found in recesses that are difficult for viewers to reach
　　B. They fill every nook and cranny of a large underground gallery
　　C. Their location was probably more convenient for viewers than for the artists
　　D. They are easier to view than cave paintings at other locations

　　思路解析
　　题目类型：事实信息题题
　　干扰选项：A/C、B
　　干扰类型：无中生有、信息不符

　　干扰项分析
　　选项A：无中生有
　　选项A声称：拉斯科洞穴的所有壁画都位于难以到达的凹处。但是原文明确指出：原文提到拉斯科洞穴"might conceivably qualify as underground galleries"（可能符合地下画廊的标准），与其他"totally unsuitable for any kind of viewing"（完全不适合观看）的洞穴形成对比。而“壁画都位于难以到达的凹处”这个特点（found in recesses totally unsuitable for any kind of viewing）指的是与拉斯科洞穴形成对比的其他洞穴。

　　选项B：无中生有
　　选项B声称：拉斯科洞穴的壁画填满了一个大型地下画廊的每个角落。但是原文没有提及拉斯科洞穴的壁画"fill every nook and cranny"这一信息。而原文中提到的“tight nooks and crannies ”也指的是其他洞穴的壁画所在位置。

　　选项C：信息不符
　　选项C声称：拉斯科洞穴的壁画对参观者来说比艺术家更方便。
　　原文明确指出：原文提到其他洞穴"must have been awkward even for the artists to penetrate"，但这是指其他洞穴而非拉斯科洞穴。

　　做题策略
　　1. 分析题干：分解题干问题、抓定位词
　　2. 原文定位
　　3. 理解定位词相关原文
　　4. 选项和定位句同义替换
　　正确答案：D

　　详细正确思路
　　1. 分析题干：分解题干问题、抓定位词
　　分解题干问题：题干含义是“下面关于拉斯科洞穴的壁画信息哪个是正确的？”，暗示考生要注意所有关于拉斯科洞穴的壁画信息。
　　抓定位词："Lascaux caves"和"paintings"。
　　2. 原文定位
　　关键词定位：最后两句关于拉斯科洞穴信息
　　“The caves of Lascaux might conceivably qualify as underground galleries, but many other paintings have been found in recesses totally unsuitable for any kind of viewing—tight nooks and crannies that must have been awkward even for the artists to penetrate, let alone for anyone else wanting to see the art. ”
　　3. 理解定位词相关原文
　　该句子通过"but"构建了典型的对比结构，系统性地呈现了拉斯科洞穴与其他洞穴在空间特征和观赏性上的二元对立。从空间属性来看，拉斯科洞穴被推测为"可能符合地下画廊标准"（might qualify as underground galleries），暗示其相对开放和规整的特性；而其他洞穴则被描述为"完全不适合任何形式观看的凹陷处"（recesses totally unsuitable for any kind of viewing）
　　理解原文的要点是要识别核心逻辑关系词“but”和“other”，判定出句子中的对比结构。拉斯科洞穴："might conceivably qualify as underground galleries"（可能符合画廊标准），而其他洞穴："totally unsuitable for any kind of viewing...awkward even for the artists"。根据对于其他洞穴的特征描述（完全不适合任何形式的观看），可以合理推测出拉斯科洞穴可能符合画廊标准指的是其相对开放且适合观看的特性。
　　4. 选项和定位句同义替换

　　同义替换识别：
　　选项D中的"easier to view than cave paintings at other locations"对应原文对拉斯科洞穴相对开放且适合观看的特性。
　　对比逻辑关系词补充：
　　in/by contrast, on the other hand, rather than, instead of, while, A over B, some...other, far from, not A but B, unlike
　　转折逻辑关系词补充：
　　although, though, even though, but, as, despite, in spite of, nevertheless, nonetheless, notwithstanding, regardless of, even if, yet, and yet, however, but in fact, while

　　总结
　　这道事实信息题主要考查学生准确捕捉文本对比关系和区分不同对象特征的能力。题目通过对比拉斯科洞穴（Lascaux caves）和其他洞穴的位置特征，考察学生能否识别出两个洞穴的对立特征。考生在此类题目中容易忽略对比关系，容易混淆不同洞穴的特征，将描述其他洞穴"难以进入"的特征错误套用于拉斯科洞穴。要提升此类题目的正确率，建议考生：1)重点训练对比关系的识别能力，熟悉对比、转折关系的逻辑词；2)培养区分不同对象特征的意识。